What I didn’t know until this release from Capture One is how influential Matsin is in this space. The workspace groups white balance, shadows and highlights, the settings I change the most. #a9 #bealpha #sonymirrorlessĪ post shared by Sony Mirrorless Pro on at 9:41pm PDT I don’t know if yours is in the upgrade path, but there is a good chance they will give you the latest version.įinally, you could download sample RAW images from any camera you are considering (such as Sony) and test it yourself.BTS of a shoot downtown capturing the changes to the Seattle waterfront. There is an active community on Facebook and they will apply presets to your RAW files and you can see on your own images how it looks. I don’t use Sony and cannot provide a specific response. Some have complained that Sony specifically has issues, but as far as I can tell, it is a few people, not most. This makes little sense, since the Xpro series and all the other X series cameras use the film standard like everything else.
On C1, that is the default film setting on Capture One except, for some reason, the Fuji XT cameras, which use a specific Fuji setting (Provia?). It seems that they have figured out a basic default value which generally works. I have not used version 1 and I use them on Capture One, so my answer has somewhat limited value. But the above three are all I really "need" to understand. If you can link me to a blog post of theirs or something that helps me understand what they did, I'd like to know. If I pick up a Sony RX1R II and use these newer universal versions am I going to have consistent looking images if I mix cameras for a trip or event? Should I stick with my 1.x archived versions?ģ. Did they give anything up to accomplish this?Ģ. I see the newer downloads don't even have options.ġ.
I see ML no longer specifies which makes/models they support.
Still using 1.x versions of Mastin Labs (ML) Lightroom presets. I haven't upgraded anything (except cloud Adobe CC software) for years.
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